Gabrielle Goliath

“I appreciate your note on the centrality of bodily presence and situated knowledge, which is key to the political, poetic, affective and conceptual impetus of the work, as it calls us into a different, more relational aesthetic encounter. It is, however, important to recall that not all “bodies” are equal, or equally “believable”, and do not enter into political representation on commensurate terms. An (anti-black/brown/poor/femme) index of differentially valued life continues to sustain an inequitable regime of representation, one in which white heteronormativity reads (and reads well) whilst the “affectable others” (to cite Denise Ferreira da Silva) do not.”

Art Frame Interview read

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Personal Accounts - There’s a river of birds in migration

4-channel video & sound installation
2024

The title of this 4-channel cycle is taken from a liturgy scripted, composed and performed for the occasion by artist, activist and House of Diamonds mother, Treyvone Moo.

There’s a river of birds in migration

A nation of women with wings

A river of birds in migration

A nation of mothers who sing

Treyvone is joined by Maneo, Sapphire and Hopewell, who together share personal accounts of trans precarity and survival in Johannesburg, South Africa. In a crisis norm of anti-black, anti-femme, homophobic and transphobic violence, trauma is everyday and everywhere. Nevertheless, these personal accounts exceed the conditions of negation from which they are spoken, read and sung. Asserted alongside grief, disappointment, fears and losses are hope, creativity, beauty, community, poetry, desire, generosity, faith, transition, love and, perhaps most emphatically, presence.

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