Gabrielle Goliath

“I appreciate your note on the centrality of bodily presence and situated knowledge, which is key to the political, poetic, affective and conceptual impetus of the work, as it calls us into a different, more relational aesthetic encounter. It is, however, important to recall that not all “bodies” are equal, or equally “believable”, and do not enter into political representation on commensurate terms. An (anti-black/brown/poor/femme) index of differentially valued life continues to sustain an inequitable regime of representation, one in which white heteronormativity reads (and reads well) whilst the “affectable others” (to cite Denise Ferreira da Silva) do not.”

Art Frame Interview read

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Beloved

2023-

Beloved. Or as Christina Sharpe phrases it (with characteristic poise), be loved.

In this ongoing and very personal series of drawings and prints, the artist summons and celebrates a chorus of both radical and quotidian femme presences: poets, priestesses, activists, artists, parents and prodigies. Beloved is an ode, a work of the heart – a labour of recognition, thanks and love.

caption: Beloved (Refaat), 2024, oil stick & chalk pastel on paper, 152 x 112cm

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