Gabrielle Goliath, Beloved (Tracey), 2024, oil stick & chalk pastel on paper, 76.3 x 56cm
. . .
Tracey Rose, artist
“Patrice … Lumumba!”
“Patrice … Lumumba!”
“Patrice … Lumumba!”
Die Wit Man (The White Man), 2015
“I appreciate your note on the centrality of bodily presence and situated knowledge, which is key to the political, poetic, affective and conceptual impetus of the work, as it calls us into a different, more relational aesthetic encounter. It is, however, important to recall that not all “bodies” are equal, or equally “believable”, and do not enter into political representation on commensurate terms. An (anti-black/brown/poor/femme) index of differentially valued life continues to sustain an inequitable regime of representation, one in which white heteronormativity reads (and reads well) whilst the “affectable others” (to cite Denise Ferreira da Silva) do not.”
Art Frame Interview read
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Gabrielle Goliath, Beloved (Tracey), 2024, oil stick & chalk pastel on paper, 76.3 x 56cm
. . .
Tracey Rose, artist
“Patrice … Lumumba!”
“Patrice … Lumumba!”
“Patrice … Lumumba!”
Die Wit Man (The White Man), 2015